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She Moved Through The Fair

My young love said to me my mother won't mind
And my father won't slight you for your lack of kind
And she laid her hand on me and this she did say
It will not be long now 'til our wedding Day

And she went away from me, she moved through the fair
And fondly I watched her move here and move there
And then she went onward, just one star awake
Like the swan in the evening moves over the lake

The people were saying no two e'er were wed
But one had a sorrow that never was said
And I smiled as she passed with her goods and her gear
And that was the last that I saw of my dear

Last night she came to me, my dead love came in
So softly she came her feet made no din
And she laid her hand on me and this she did say
It will not be long now 'til our wedding day

                                                       Anon + Padraic Colum

The song was collected in Donegal by Padraic Colum and Herbert Hughes and first published in 1909. The lyrics- all except the last verse- are Colum's work. 

I understand some people choose to have this played at their weddings. They must be mad. 

Date: 2007-05-29 11:48 am (UTC)
From: [identity profile] dakegra.livejournal.com
not really a wedding song, is it?

I have the All About Eve version, which is hauntingly beautiful, and highly recommended if you've not heard it.

Date: 2007-05-29 01:22 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
I haven't heard that one. Sinead O'Connor's version is good. She changes the genders round so it becomes "He Moved Through the Fair".

Date: 2007-05-29 01:25 pm (UTC)
From: [identity profile] dakegra.livejournal.com
If you have an email address that can cope with a 7+MB mp3 file, I can send it to you.

Date: 2007-05-29 01:29 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
I believe I do. I'm not entirely sure, but I've had songs sent me before from various sources.

So, yes please.

Date: 2007-05-29 01:40 pm (UTC)
From: [identity profile] dakegra.livejournal.com
email me the address to which you'd like it sent? dakegra (at) livejournal (dot) com

Date: 2007-05-29 11:57 am (UTC)
From: [identity profile] huskyteer.livejournal.com
That's how I feel about people who want 'We Have All The Time In The World' played at their weddings.

Date: 2007-05-29 01:24 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
Hey, it's a wedding- lets invoke Death!

Date: 2007-05-29 01:27 pm (UTC)
From: [identity profile] huskyteer.livejournal.com
I'd be asking serious questions of my husband-to-be if he requested it.

Date: 2007-05-29 12:00 pm (UTC)
ext_550458: (Manuel qué?)
From: [identity profile] strange-complex.livejournal.com
So, Colum came across the lyrics in the last verse as a stand-alone entity, and made the other three verse up to lead into it?

Date: 2007-05-29 01:26 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
That's right.

He did a brilliant job, I think.

Date: 2007-05-29 12:18 pm (UTC)
From: [identity profile] ibid.livejournal.com
He looks scary!

tha one that always gets me is 'dear Lord and Father of Mankind' - forgive our foolish ways!?

Date: 2007-05-29 01:33 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
He's waving something at the camera and I can't work out what it is.

"Dear Lord and Father"- heh, heh, heh. Quite apart from the ianappropriate lyrics it's such a dreary tune.

Date: 2007-05-29 12:19 pm (UTC)
ext_37604: (Default)
From: [identity profile] glitzfrau.livejournal.com
They leave out the third verse at weddings. It's still a nuts idea. You are right, though, a gorgeous, wonderful song.

Date: 2007-05-29 01:35 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
A lot of singers omit the third verse. I think it's a pity.

Date: 2007-05-29 01:34 pm (UTC)
From: [identity profile] upasaka.livejournal.com
People really don't think too carefully about wedding music sometimes. I just heard a story about a rich Jewish woman who was marrying an Arab and had Ravel's Pavane for a Dead Princess as the processional.

When I meet with couples to discuss wedding music, I usually cite "Why Don't We Do It In The Road" from the Beatles' White Album as an example of an inappropriate music choice. Sometimes they don't get it...

Date: 2007-05-29 01:41 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
My favourite- maybe it's an urban myth- is the one about the couple who request "The Robin Hood" song, meaning the theme from Prince of Thieves, and the organist plays the bouncy theme to the 1950s TV series-

Robin Hood, Robin Hood, riding down the glen,
Robin Hood, Robin Hood, with his band of men-
Feared by the bad, loved by the good-
Robin Hood, Robin Hood, Robin Hood...

Date: 2007-05-29 02:44 pm (UTC)
From: [identity profile] huskyteer.livejournal.com
Probably urban myth, but I love that one too. I think I first saw it in Private Eye's Funny Old World column.

Date: 2007-05-29 03:04 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
Thanks for the link.

I've just been listening to Dick James singing the original- with it's wonderful, scribbled-on-the-back-of-fag-packet lyrics

"They handled all the trouble on the English country scene
And still found plenty of time to sing."



Date: 2007-05-30 10:44 am (UTC)
From: [identity profile] ibid.livejournal.com
A friend of mine wanted the Star Wars theme!

Date: 2007-05-30 10:59 am (UTC)
From: [identity profile] poliphilo.livejournal.com
And why not?
From: [identity profile] musewithamagnum.livejournal.com
I've been a bit fascinated by this song and what's become on almost archetypal image - the (usually doomed) loved one moving through the marketplace while the lover watches from afar...it's become an almost obligatory scene in any Scottish/Irish pseudo-historical drama. I've always wondered if there was some sort of connection with this song.
From: [identity profile] poliphilo.livejournal.com
I think the song is almost certainly the origin of the scenario.

Sinead O'Connor sang a version of it (with genders reversed) over the lovers' last meeting in the Michael Collins biopic.
From: [identity profile] solar-diablo.livejournal.com
I liked her version of "I Am Stretched on Your Grave", even more than the rendition Dead can Dance did.
From: [identity profile] poliphilo.livejournal.com
I don't know that. I shall have to go look for it.

Date: 2007-05-29 02:19 pm (UTC)
From: [identity profile] karenetaylor.livejournal.com
Other strange wedding music picks:

Every Breath You Take (Sting)
Angel (Sarah McLaughlin)



Date: 2007-05-29 02:54 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
Songs about stalking and suicide. Ah well- I guess you could say the people who chose them had a commendably realistic view of marriage

Date: 2007-05-29 03:52 pm (UTC)
From: [identity profile] solar-diablo.livejournal.com
While plenty of cultures don't shy away from death, the Irish seem particularly adept at recognizing how it weaves in and out of every aspect of life, especially the happiest of moments. Some might call it a morbid holdover of their history, I think it's enlightening in the sense that it compels you to enjoy the time you have.

Date: 2007-05-29 03:57 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
I think it's a catholic thing- the dance of death and all that. "In the midst of life we are in death"

Date: 2007-05-29 04:25 pm (UTC)
From: [identity profile] momof2girls.livejournal.com
That would be a kind of, uh, creepy song to have played at one's wedding!

Date: 2007-05-29 05:13 pm (UTC)
sovay: (Default)
From: [personal profile] sovay
The lyrics- all except the last verse- are Colum's work.

Oddly enough, I think Padraic Colum's The Adventures of Odysseus and the Tale of Troy (1918), a prose rendering for children with its half vase painting, half art nouveau illustrations by Willy Pogany, was my first encounter with the epic tradition.

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