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This is a gravestone from the 1770s in the churchyard at Rotherfield (Sussex). I've seen the design before (did they have pattern books for monumental masons?) but this is a particularly well-preserved example.

The deceased is rising from his/her sarcophagus in the centre. To our right is Christ- also newly risen, holding a cross, with more people being resurrected at his feet. To our left an angel is blowing a trumpet and a tower is toppling.

Here are some details



Date: 2015-09-30 11:51 am (UTC)
From: [identity profile] cmcmck.livejournal.com
There were masons' pattern books although it's also possible you were seeing work by the same mason.

Great fun!

Date: 2015-09-30 12:17 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
That raises another question- just how local were the local masons? I've seen this design replicated in many different churchyards, but all- I think- in the South east.

Sometimes a mason's work (or the work of a school) is so distinctive you can recognise it when you come across it- usually in churchyards within a limited area.

Date: 2015-09-30 12:22 pm (UTC)
From: [identity profile] cmcmck.livejournal.com
There's a well known Cornish mason whose work I always know instantly so yes, it's a good question- his work is all in and around Bodmin Moor.

Date: 2015-09-30 04:07 pm (UTC)
From: [identity profile] davesmusictank.livejournal.com
fascinating. Thanks for posting.

Date: 2015-09-30 04:21 pm (UTC)
From: [identity profile] puddleshark.livejournal.com
That's so distinctive a design, I immediately remembered where I'd seen something similar in Dorset... The version in your picture is more sophisticated though.

Henry Baily Memorial, Osmington

Date: 2015-09-30 04:27 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
That's very much the same pose. I think the two masons must have been working from the same design.

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