Lets Kill Hitler
It was set in Nazi Berlin- with the Fuhrer's office recreated in a set that was one of the biggest ever built for the show, but it could have been set almost anywhere. Hitler put in a brief appearance, only to be shoved into a cupboard (quite literally) and forgotten. This wasn't a show about Hitler or fascism or the Third Reich but about the incresingly knotty relationships and criss-crossing time-lines of the Doctor and his hangers-on- and it used the nazis as window dressing. In earlier incarnations the show was about the times and places its characters visited (it began as a wizard way of teaching the kiddies a little history) but now it's mainly about the logistics or illogistics of time travel and how weird it is that your daughter is older than you but used to be your childhood friend. Stephen Moffat has been defending himself against the charge that the stories are too complicated and- fair enough- there's nothing wrong with making an audience think- but what if the stories have become so complicated there's no space left for any proper drama or character development?
The doctor died again and then came back to life. Oh, please- stop teasing us! The Doctor is Immortal and if he were really to die the show would end with him- and that's not going to happen anytime soon, is it? Besides if this Doctor were to die we might get a replacement with a little more presence and gravitas- and would that really be such a bad thing?
The doctor died again and then came back to life. Oh, please- stop teasing us! The Doctor is Immortal and if he were really to die the show would end with him- and that's not going to happen anytime soon, is it? Besides if this Doctor were to die we might get a replacement with a little more presence and gravitas- and would that really be such a bad thing?
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It was always pretty crummy. It's just that- with all the money and talent that's being thrown at it now- I keep expecting it to be better than it turns out to be.
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Why not? The third and fourth Doctors spoke Mandarin Chinese. A guy can learn a lot in nine hundred years.
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I loved the first few episodes and Matt Smith's Doctor, who was both believably not-human and not-young; then I lost track of the show until the Christmas episode, and then again after it. I'm sorry. Steven Moffat has been responsible for some amazing television in the past.
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I have to say I really liked the tiny people in the human sized robot playing God. It's like, "If God did not exist it would be necessary for mankind to invent him" coming true.
The doctor died again and then came back to life. Oh, please- stop teasing us!
I definitely agree with that. It has all the impact of a maiden tied to train tracks.
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There's a lot of ingenuity still. Yes, the robot with the little people inside was pretty cool.
I quite like Smith. I want to like him, because I love the show. But I think he's an over-promoted character actor- without the necessary screen presence. Maybe what I'm saying is I still miss David Tennant.
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Those were definitely great.
He seems rather to have lost the knack of that since he became show runner. Instead there's sentimentality.
There is definitely that, but it's not nearly as bad as RTDs finales. Maybe part of the problem is that Moffat feels compelled to adhere to an RTD model.
Maybe what I'm saying is I still miss David Tennant.
He was very good.