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 Written in the 1890s- and very fin de siecle- very school of Huysmans- Bruges-la-Morte is yet another story about a man who kills a woman; and of course like all the other stories about men who kill women it's about him- not her- and the sufferings of his noble soul. More interestingly, it's a story about Bruges, with the man being a projection of the city or the city a projection of the man; take your pick. Rodenbach got people interested in Bruges- in his day a silted up port town full of gloomy catholics - and it's partly thanks to him that it's no longer Bruges-la-Morte but the cheery, cosmopolitan, tourist town we know today. 

Date: 2011-03-22 08:03 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
I haven't seen the In Bruges, so I'm no idea.

One film that may well have been influenced by Bruges-la-Morte (in a roundabout way) is Hitchcock's Vertigo- which is based on a novel that borrows elements of Rodenbach's plot.

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