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Jun. 19th, 2010 10:34 am
poliphilo: (Default)
[personal profile] poliphilo
It's no accident that the word we use when we want to be particularly beastly about the middleclass is a French word- bourgeois; the French loathe their middleclass- which means loathing themselves- with a virulence no other nation can match.

Hidden- even though its author is a genial, white-haired Austrian- is in the French tradition of dishing it out to the bourgeoisie. Georges and Ann ( beautifully played by Daniel Auteuil and Juliette Binoche) have nice media jobs and live in a nice house in a nice suburb. They have nice friends whom they invite to nice dinner parties. They even know someone who is black. The discreet charm of their existence is undermined when they are made aware that their house is being watched. 

Hidden isn't a straightforward thriller.  We are given promising leads to follow and all of them end in uncertainty. Something terrible happened- once- a long time ago- and quite what it was has been blurred by the vagaries of memory and the habit of lying.  Someone wants revenge but it's never clear who. Georges is trapped inside a maze inside a mist.  He craves resolution- justice, forgiveness, forgetfulness- whatever- and yet he's not even entirely sure he has any good reason to feel so guilty.   

It's a truism to call works of art disturbing- and mostly they're not- but this one really is.

Date: 2010-06-19 11:34 am (UTC)
From: (Anonymous)
Ah, is this a good film to watch - Love Film gave it such poor ratings that I didn't put it on our list to watch?
Jenny

Date: 2010-06-19 12:58 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
It has divided the critics- which means it's interesting (to say the least). The Times called it the best film of the Noughties. I liked it- and it made me think.

Date: 2010-06-19 12:55 pm (UTC)
From: [identity profile] drox.livejournal.com
It's no accident that the word we use when we want to be particularly beastly about the middleclass is a French word...

I suspect this says as much about English-speakers as it does about the French. A lot of words we use for unpleasant things are borrowed from the French.

Wars are particularly unpleasant, and a lot of military-themed words are derived from French: camouflage, espionage, sabotage, coup d'etat, etc.

Medical procedures, too, are frequently unpleasant. And though most medical-speak seems to be derived from Latin, there's also words like triage, lavage, curettage, etc.

I have to wonder if there's a similar thing going on in French. Do Francophones borrow English words to describe unpleasant things?

Date: 2010-06-19 01:08 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
I think you could also make a long list of words for pleasant things that we've borrowed from the French- culinary terms for instance. English is a shameless magpie of a language. It sees something shiny and thinks, "I'll have that".

Date: 2010-06-19 04:59 pm (UTC)
From: [identity profile] solar-diablo.livejournal.com
It's no accident that the word we use when we want to be particularly beastly about the middleclass is a French word- bourgeois; the French loathe their middleclass- which means loathing themselves- with a virulence no other nation can match.

Currently reading a book that touches on Rousseau's philosophies quite a bit. I suspect that the French Revolution notwithstanding, French have been and always will be monarchists, at some level. And I think it's due to the fact that however much they may have hated royalty in the past, they hate the middle class that the revolution brought to power even more.

Date: 2010-06-19 07:42 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
I'm in the middle of reading Simon Schama's history of the Revolution. It's 1789 and no-one is yet talking regicide. I get the feeling that a king with more political nous than Louis XVI might well have been able to ride the storm and come out the far side as a constitutional monarch on the English model.

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