Losing Interest

[poliphilo]

I didn't blog last week's Who for the adequate reason (as I told myself) that I was getting Ailz to hospital at the time it aired. I watched it later- on the BBC i-player- and, yes, I liked it.

But I'm afraid there's a deeper underlying reason- and it's this- that I'm gradually losing interest. Matt Smith is lovely- everybody's favourite fairy uncle- and Amy and Rory are a couple of bright, funny sitcom kids, but I don't care about them in the least- and if Amy never surfaces from her current imprisonment underground I'll be able to support it manfully. RTD, whatever his faults, turned the show into one that adults could watch with interest- and he did it by making the relationships matter. Smith's Doctor and his current companions are just room-mates. Nothing wrong with that, but if I'm to care for them- and so care about their adventures-  they've first got to demonstrate they care for one another. And, yes, they do go through the motions,  but there's no depth to it- no chemistry.

This weeks episode revived a Pertwee era monster. In fact the whole thing felt very Pertwee era. Here's another thing I crave from the show- surprises; and Pertwee era monsters are not surprising.  Neither, incidentally, are daleks or cybermen. Moffat's shows have been consistently entertaining,  but I'm still waiting for the killer episode that'll make me fall in love.

Comments

[poliphilo.livejournal.com]

Meera Syal- who plays the miner- is a top British comedy actor. I agree, she'd be a splendid companion.

Tennant (and Eccleston before him) brought a lot more weight to the role. Tennant's very funny- but he's also- arguably- the greatest Hamlet of his generation. If Smith were up to play Hamlet I wouldn't be rushing to book tickets.

[haikujaguar.livejournal.com]

I think that's exactly it. There's no depth to his performance. I don't believe he cares about anything or anyone. I don't particularly like the new "roommates" (you pegged that one but good), and as a result I've found all the episodes this season... lightweight, forgettable and in some cases, painful. I am also irrationally irritated by writing moves like how they killed off the daughter of the Venetian man... why? To add artificial drama? It was unnecessary: I saw the writers at motion on the strings, murmuring to one another, "Come! Let's add some pathos! Pull that one!"

I can only hope they move on to a new doctor within a season.

[poliphilo.livejournal.com]

Moffat was the best writer on RTD's team. His stories were intelligent, scary and moving. When he took over as supremo I was expecting the show to show more heart not less. I'm disappointed- and puzzled- by the way things have turned out.

I doubt if Smith is going to be leaving any time soon. I gather- from what I read- that he's extremely popular.