Slumdog Millionaire
Jan. 14th, 2010 10:33 amThe story is traditional fairytale- a carcass on which to hang a slap-bang-whallop impression of modern India. The characters are types- he's the widow's son, she's the princess in the castle. Alternatively he's Nicholas Nickleby and she's Madeline Bray; neither of them particularly interesting in themselves. The character who does interest me is the older brother- who plays both good and evil angel- alternately thwarting and rescuing the lovers. If they were always destined to find one another, then he's the agent of destiny- and his final words- as he dies in a bathtub full of rupees having saved them one last time- more than hint at something metaphysical going on.
It's a feelgood movie that never glosses over the horrors it goes streaking through. I love the energy- and the colour. And what a stroke of brilliance to regognise- and use- the mythic structure of the TV gameshow.
no subject
Date: 2010-01-14 12:55 pm (UTC)The book/audio book has I think a different kind of ending than the film, and many more twists and turns.
no subject
Date: 2010-01-14 01:28 pm (UTC)no subject
Date: 2010-01-14 04:40 pm (UTC)no subject
Date: 2010-01-14 05:33 pm (UTC)no subject
Date: 2010-01-14 05:58 pm (UTC)He does sound interesting.
(One of the high marks by which I judge Trevor Nunn's Nicholas Nickleby—our hero wasn't boring. You can rarely ever say that about a Dickens protagonist unless he's Sydney Carton or Ebenezer Scrooge.)
And what a stroke of brilliance to regognise- and use- the mythic structure of the TV gameshow.
Is it the kind of film that is aware it's a fairytale?
no subject
Date: 2010-01-14 07:06 pm (UTC)Slumdog is very conscious of being a fairy tale. That's one of its strengths- that it knows exactly what it's doing.
slumming it
Date: 2010-01-15 10:18 am (UTC)Jenny
Re: slumming it
Date: 2010-01-16 01:29 pm (UTC)no subject
Date: 2010-01-16 03:59 pm (UTC)no subject
Date: 2010-01-20 09:43 am (UTC)Firstly, the section of Indians who raised their voice about the filth shown in the movie was a minority compared to those who have accepted the acclaim of the film. The hatred has eventually died down.
The second thing is that it is not about the world "already" knowing about the appalling conditions in Indian cities. It is that we Indians are blindly nationalistic and sensitive. We don't bother the grime and dirt during our everyday work, but we are careful to censor the rights of Hollywood or whoever to showcase only what is necessary.
no subject
Date: 2010-01-20 03:07 pm (UTC)no subject
Date: 2010-01-20 09:54 am (UTC)The traditional fairytale is an important template of commercial Indian cinema, which is what Boyle made good use of. Most of the films made in India have a similar structure and style: beating down adversaries.
What I liked most was that Boyle made superbly of viewers' curiosity by interspersing the film with Jamal's quests for the answers.
no subject
Date: 2010-01-20 10:16 am (UTC)I feel the same about Hollywood actors playing Brits. They almost always get the accent subtly wrong- and part of it is that they always seem to be trying too hard.