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[personal profile] poliphilo
1. It's another one of Hollywood's daddy films. Bruce Wayne's daddy is killed and he grows up to be a sulky, emo kid. Then a number of older men- good daddies and bad daddies- mentor him into a shape of which his daddy would be proud. No-one seems to notice that he lost his mommy too.

2. Note to the critics: Crime and Punishment is "dark"; Batman Begins is merely portentous.

3. All those car wrecks and nobody is killed. It's just like The A Team.

4. Batman is mythic. The more you try to fit him into the real world- real politics, real psychology- the more ridiculous he becomes.

Date: 2009-12-07 07:25 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
He casts a long shadow- even though he's desperately out of fashion.

Date: 2009-12-08 05:46 am (UTC)
sovay: (Psholtii: in a bad mood)
From: [personal profile] sovay
He casts a long shadow- even though he's desperately out of fashion.

He was out of fashion by Spellbound, and that was 1945. The one good piece in that movie is Salvador DalĂ­'s dream sequence, and then Hitchcock explains every single component of it with thudding precision. After which I would have thought that screenwriters would stop using Freud to mean "and between step two and step three, a miracle occurs," but it's still going!

Date: 2009-12-08 10:09 am (UTC)
From: [identity profile] poliphilo.livejournal.com
There's a Dali museum in London which has a part of the huge curtain covered in eyes that Dali painted for the nightclub sequence in Spellbound.



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