Faulty Electrics
The thing that was wrong with the boiler was the same thing that was wrong with it in January- the electrics had been flooded with some sort of light, oily, slightly sticky, liquid stuff. The guy in January was mystified. The guy yesterday said it was caused by "the coating coming off the wires". He replaced a part- not the part the other guy replaced- and things are working again.
I watched bits of The Fellowship of the Rings yesterday evening. I don't like it any better than I ever did. Tolkien's book is about the industrialisation of the Midlands- with occasional flashbacks to the First World War- and is the product of a peculiarly English, conservative-romantic imagination. Peter Jackson doesn't understand the first thing about it- and his film is a coarse, empty, dim-witted travesty.
I watched bits of The Fellowship of the Rings yesterday evening. I don't like it any better than I ever did. Tolkien's book is about the industrialisation of the Midlands- with occasional flashbacks to the First World War- and is the product of a peculiarly English, conservative-romantic imagination. Peter Jackson doesn't understand the first thing about it- and his film is a coarse, empty, dim-witted travesty.
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I think WWI had somewhat more influence, but otherwise tend to agree. Jackson's elves are horrid. Gimli the Dwarf is reduced to a pathetic, two-dimensional thing, embarrassing to watch and fit for little more than comic relief. By the end of the third film, I began to cringe every time Sam and Frodo appeared on the screen.
I also doubt we could have got a better movie and think it could have been far, far worse. I liked the costuming and set design. The combat choreography was done rather well, I thought.
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Another of your commenters was unhappy about the removal of the scouring of the Shire. I understood that this was because the money people were already restive about the long denouement. Many (but not all) of the Shire-scouring themes were touched on elsewhere -- the washing away of the industrialization of Isengard; the entire quest narrative wherein a pair of ordinary people did the extraordinary deed of defeating Sauron while the heroes and wizards could, at best, only provide a covering distration; and the fact that saving what means most to you may exact a terrible price.
I thought that Peter Jackson did an admirable job of transmuting a 50s novel to a 21st century film.
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I think Tolkien's intentions are one thing and what he actually wrote quite another. I see Lord of the Rings as a very late product of the Georgian romanticism that produced works like Kenneth Grahame's Wind in the Willows.
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As for the movies, they won the awards because of the special effects. There's too much of that mentality in the motion picture academy lately. I rented the videos and forced myself to watch them, and came to the conclusion that it's not me, it's them.
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And, I perhaps give extra emphasis to the note in the preface that says "Belladonna Took was the mother of us all". In the '60s, when I first encountered the books, that was a very significant remark.
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I hadn't thought of Tolkien as being in favour of matriarchy, but I suppose that note shows he was- at least to a degree. On the whole the absence of women from his stories annoys me. If there's one thing I applaud Jackson for it's for beefing up Arwen's role.
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LotR films
I'm not quite sure why it is that I don't have the same objection to the Harry Potter films -- I've seen most of them and generally enjoyed them, though I think the longer books are more difficult to present on screen without leaving out too much.
Re: LotR films
I think it's because Tolkien is a deeper (better) writer than Rowling. The more there is in a book the harder it is to film it adequately.