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[personal profile] poliphilo
I'm reading it because it's a set book and I wasn't looking forward to it. I was expecting driven, humourless social realism, but it's got me hooked. Walker is a great story-teller (an under-rated gift) and just when I think I've got the direction of the narrative sussed she'll whisk me off in some unexpected direction- to Africa for instance. Her people are fully rounded and even minor characters have the capacity to catch us on the wrong foot. It's an epic- huge cast list, a time span of twenty years or more, action on three continents- but it comes in at a fraction of the length of War and Peace. I love the economy of the writing, the wit. Spielberg's movie, brave as it was, was never brave enough.

Date: 2004-07-20 08:59 am (UTC)
From: [identity profile] silveredmane.livejournal.com
I loved the book, and was extremely disappointed with Spielberg's translation of it into film. Spielberg lost the central notion of the book, which is that Jesus, as a Mediterranean Jew, would have had dark skin (unless he was medically an albino, which would account for the red haired and blue eyed depictions; an albino person of colour.) For all its epic qualities (about which I agree) I also thought it was an illustration of the tragic irony of mis-justified (unjustifiable, but that's a different conversation) racism. It's not surprising that Spielberg, as a white man who is not a Christian, would miss this thread. To me,the basis of the whole social fabric of the story was the illustration of Christianity as epistemological artillery in the war on people of colour.

Date: 2004-07-21 01:32 am (UTC)
From: [identity profile] poliphilo.livejournal.com
Thanks for pointing this out. I have "issues" with Christianity that run deep- and so when a writer starts going on about Jesus I tend to pull the blankets up over my head. But you're right. It is a central theme of the book.

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