A Modern Classic
Nov. 20th, 2007 10:52 amIt's a very big book. As big as a Collected Shakespeare. It caught my eye as I walked between the stacks and I thought, "Hm, I've heard of that".
What had I heard? Oh, good things, bad things- nothing very specific- but I knew there was a buzz about it.
So I went and carried out my mission- which was to harvest books about Elizabethan England for Ailz- and on my way back decided to look for it again. I had to poke about a bit. It wasn't exactly where I remembered. Maybe it was playing hide and seek with me; it's the sort of book that would.
But I found it at last. When you're as big as this book is you're not going to stay hidden for long.
I don't exactly know why but as soon as it was in my possession I found I wanted to read it very, very badly.
It's not an easy read; it's too damn heavy; you could do with a lectern. But I like how it comes with its own ribbon book mark.
I knew straight off that I'd made a discovery. OK, it's a discovery others have made ahead of me (Neil Gaiman says it's the best British fantasy novel for 70 years) but you don't necessarily believe what's written on the back cover, do you?
And this was a very specific discovery. One of a kind I don't remember having made before. I wasn't just that I liked the book. It was that I knew- with most of it still unread- that I was dealing with a classic.
I'm picky about the word classic. Most of the things that are called classics are nothing of the sort. Classics are built to last. A classic can be expected to live longer than the average human being- to live indefinitely. There are actually very few classics around.
So, it's engaging, inventive, imaginative, funny- but so are lots of other books that aren't classics. What's the special ingredient?
In a word- confidence. This is an author who knows exactly what she's doing. She writes (in an unfaltering pastiche of early 19th century prose) with, poise, clarity, wit and- when the story goes off in that direction- beauty. Her tale is labyrinthine but never confused. It has a huge cast- every member of which is unmistakably individual. Her world, for all its fairy-tale weirdness, is as solid as Tolstoy's.
I find I haven't yet named any names and I think I'll leave it that way for the present. Anyone care to hazard a guess?
What had I heard? Oh, good things, bad things- nothing very specific- but I knew there was a buzz about it.
So I went and carried out my mission- which was to harvest books about Elizabethan England for Ailz- and on my way back decided to look for it again. I had to poke about a bit. It wasn't exactly where I remembered. Maybe it was playing hide and seek with me; it's the sort of book that would.
But I found it at last. When you're as big as this book is you're not going to stay hidden for long.
I don't exactly know why but as soon as it was in my possession I found I wanted to read it very, very badly.
It's not an easy read; it's too damn heavy; you could do with a lectern. But I like how it comes with its own ribbon book mark.
I knew straight off that I'd made a discovery. OK, it's a discovery others have made ahead of me (Neil Gaiman says it's the best British fantasy novel for 70 years) but you don't necessarily believe what's written on the back cover, do you?
And this was a very specific discovery. One of a kind I don't remember having made before. I wasn't just that I liked the book. It was that I knew- with most of it still unread- that I was dealing with a classic.
I'm picky about the word classic. Most of the things that are called classics are nothing of the sort. Classics are built to last. A classic can be expected to live longer than the average human being- to live indefinitely. There are actually very few classics around.
So, it's engaging, inventive, imaginative, funny- but so are lots of other books that aren't classics. What's the special ingredient?
In a word- confidence. This is an author who knows exactly what she's doing. She writes (in an unfaltering pastiche of early 19th century prose) with, poise, clarity, wit and- when the story goes off in that direction- beauty. Her tale is labyrinthine but never confused. It has a huge cast- every member of which is unmistakably individual. Her world, for all its fairy-tale weirdness, is as solid as Tolstoy's.
I find I haven't yet named any names and I think I'll leave it that way for the present. Anyone care to hazard a guess?
no subject
Date: 2007-11-20 12:19 pm (UTC)Of course, you may be reading something else entirely...
no subject
Date: 2007-11-20 12:44 pm (UTC)I listened to the audiobook, and got about 7 hours into the 28 hour total, and got depressed that whilst a lot of individual things had happened, I still had no idea what the overall story was. And that I still had nearly a full day worth of listening to find out.
I do intend to pick it up again, at some point.
no subject
Date: 2007-11-20 01:09 pm (UTC)I believe the last third is going to be terrifically exciting.
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Date: 2007-11-20 01:05 pm (UTC)I like the coolness. For me that's a great part of the attraction. If Jane Austen had ever decided to write a huge epic fantasy novel she'd have adopted something like this tone.
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Date: 2007-11-20 01:09 pm (UTC)no subject
Date: 2007-11-20 03:46 pm (UTC)no subject
Date: 2007-11-20 11:58 pm (UTC)no subject
Date: 2007-11-21 10:44 am (UTC)I can't give my heart to a badly-written book. I enjoy J.K. Rowling- for example- but I can't love her.
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Date: 2007-11-21 09:56 pm (UTC)no subject
Date: 2007-11-20 02:43 pm (UTC)no subject
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Date: 2007-11-21 09:52 pm (UTC)no subject
Date: 2007-11-20 12:21 pm (UTC)no subject
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Date: 2007-11-20 01:10 pm (UTC)no subject
Date: 2007-11-20 01:10 pm (UTC)no subject
Date: 2007-11-20 01:11 pm (UTC)I haven't got into it properly yet, despite owning it for a while. However, I have a long weekend of (hopeful) indolence coming up, so I shall pack it and retry.
no subject
Date: 2007-11-20 03:50 pm (UTC)no subject
Date: 2007-11-20 01:50 pm (UTC)Not as good, IMHO as "An instance of the fingerpost" by Iain Pears, which I mentioned once before... you will have to send me your address and I'll post it to you!
no subject
Date: 2007-11-20 02:43 pm (UTC)no subject
Date: 2007-11-21 11:06 am (UTC)no subject
Date: 2007-11-20 03:57 pm (UTC)I don't think I want to post my address here. Can you give me your email address?
no subject
Date: 2007-11-20 04:55 pm (UTC)Susanna Clarke's Jonathan Strange and Mr. Norrell, which I have yet to read. But I trust your recommendations.
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Date: 2007-11-21 11:29 am (UTC)I've just finished it and am wondering how long we'll have to wait for a sequel. Seeing how this first novel took her ten years.....
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Date: 2007-11-20 05:09 pm (UTC)no subject
Date: 2007-11-21 11:30 am (UTC)I do recommend this one- most heartily.
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Date: 2007-11-21 02:03 am (UTC)I loved it too, although I agree that some aspects of the ending aren't quite as convincing as I would like. I need to reread it; been about a year or a little more.
no subject
Date: 2007-11-21 11:31 am (UTC)But I like how she ends with new beginnings and a lot of unfinished business.
no subject
Date: 2007-11-21 09:55 pm (UTC)I'm just not sure I buy all of the new beginnings as being completely in character. I feel a wee bit as though her characters do some changing that she knows about and we don't. Which isn't fatal, but it does leave a slightly unsatisfied feeling.
no subject
Date: 2007-11-22 02:19 pm (UTC)no subject
Date: 2007-11-24 03:31 am (UTC)On the other hand, that may just be my cavil about how she handled her character development.
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Date: 2007-11-21 05:12 am (UTC)no subject
Date: 2007-11-21 11:32 am (UTC)no subject
Date: 2007-11-21 06:02 am (UTC)no subject
Date: 2007-11-21 11:35 am (UTC)Favorite Authors
Date: 2007-11-21 03:33 pm (UTC)Re: Favorite Authors
Date: 2007-11-21 04:46 pm (UTC)And did you carry it out?