The Great Masturbator

[poliphilo]

Brian Sewell knew Salvador Dali well enough to wank for him and- in a documentary broadcast last night- pretty much tore away the mystique. Dali was gay and sex mad and terribly, terribly fastidious. He hated to be touched. What he liked was to have young men masturbate for him and- in a curious twist- to masturbate himself with women watching. That's it. That's what his art is all about. Now you know.

By the 1960s- when Sewell was hanging out with him- Dali was all washed up. He'd stopped painting and spent his days shuffling along the beach at Cadaques in his hippie gear and his nights imperiously presiding over orgies. Any work with his signature on it dated 1960 and after is likely to be bogus. His wife Gala- who needed the money to fund her interest in studly young men- got people to turn out imitation Dalis and Dali- who was completely under her thumb- would sign anything she asked him to sign (including blank sheets of paper)- which explains why most of the work  in the Dali museum at Figueres is so crap. 

It's good to know all this. But of course none of it- as Sewell acknowledges- changes the fact that Dali was one of the greatest artists of the 20th century. 



Dali and ocelot by Roger Higgins. 1965

Comments

Ocelot, etc.

[(Anonymous)]

Brian Sewell's programme was entertaining, but the idea that all Dali's work after 1960 is bogus is overstating the case by leaps and bounds. Yes, he was engaging in dodgy activities, but he was also painting some great works. One could argue that he had assistance (from Isador Bea, for example), but one can't say flat-out that he didn't paint them. And at the end of the day, they're definitely not *just* about wanking on the beach. :P As for the ocelot, it was one of two pets named Babou and Bouba that belonged to his then-business manager, Peter Moore. Dali never cared for them and used to say the only thing they were good for was throwing in the swimming pool!

Re: Ocelot, etc.

[poliphilo.livejournal.com]

Thank you for that. I've been looking round for clarification of Sewell's rather sweeping claim about Dali's later work and haven't been able to find anything that either confirmed or disproved it.

As for the ocelots, that will come as a grievous blow to all my cat-loving friends.