American Artist
May. 14th, 2007 09:11 amI was wrong about John Wayne. He didn't dodge WWII on the strength of a football injury. The truth is he was exempted from service on the grounds of age (he was 34 at the time of Pearl Harbour) and because of family commitments. No shame in that. Of course he could have got round the ruling easily enough- and in fact he tried- only not hard enough. That's what he reproached himself with afterwards- not having tried hard enough.
Poor John Wayne. He was a sissy at heart. I'm convinced of this. He was a very delicate artist- look at the grace with which he moved, look at the understatement he brings to all his best roles, look at the fine and sensitive business with which he creates character- the fumbling with the glasses in My Darling Clementine, the right hand grasping the left elbow as he walks off into the desert at the end of the Searchers, consider the intelligence with which- if caught off guard- he could discuss the craft of acting. But America- Bitch mother that she is- insisted on him being a Man- meaning all that two-fisted, raw-steak eating, whisky drinking machismo he fell into in later life. He wasn't alone. American artists of all types keep being squeezed into this mould.
Want a list? Here, have a list.
John Ford
Howard Hawks
William Wellman
John Huston
Sam Peckinpah
Ernest Hemingway
Charles Bukowski
Hunter S Thompson
Norman Mailer
Jackson Pollock
Jim Morrison
Snoop Dogg
And that's just off the top of my head.
Why do so many American artists end up as alcoholics? Because they're running scared. Because they're afraid they're going to be exposed as the sissies they are.
In any other society Wayne's reasons for staying out of uniform would have been accepted as perfectly honourable. In every other society the artist is valued for being an artist and isn't also expected to out-drink, out-fight, out-fuck every man in the bar. Only in America do artists feel compelled to turn themselves into dicks.
Poor John Wayne. He was a sissy at heart. I'm convinced of this. He was a very delicate artist- look at the grace with which he moved, look at the understatement he brings to all his best roles, look at the fine and sensitive business with which he creates character- the fumbling with the glasses in My Darling Clementine, the right hand grasping the left elbow as he walks off into the desert at the end of the Searchers, consider the intelligence with which- if caught off guard- he could discuss the craft of acting. But America- Bitch mother that she is- insisted on him being a Man- meaning all that two-fisted, raw-steak eating, whisky drinking machismo he fell into in later life. He wasn't alone. American artists of all types keep being squeezed into this mould.
Want a list? Here, have a list.
John Ford
Howard Hawks
William Wellman
John Huston
Sam Peckinpah
Ernest Hemingway
Charles Bukowski
Hunter S Thompson
Norman Mailer
Jackson Pollock
Jim Morrison
Snoop Dogg
And that's just off the top of my head.
Why do so many American artists end up as alcoholics? Because they're running scared. Because they're afraid they're going to be exposed as the sissies they are.
In any other society Wayne's reasons for staying out of uniform would have been accepted as perfectly honourable. In every other society the artist is valued for being an artist and isn't also expected to out-drink, out-fight, out-fuck every man in the bar. Only in America do artists feel compelled to turn themselves into dicks.
no subject
Date: 2007-05-14 01:29 pm (UTC)Today, the wretched excess brigade seems to be over run by music players with England's very own Pete Doherty at the bottom of the heap.
no subject
Date: 2007-05-14 01:47 pm (UTC)And then there are those- like John Gielgud- who embrace their profession with exuberant affection. No problems about identity there.
no subject
Date: 2007-05-14 02:00 pm (UTC)I'm talking more about the general nature of being an actor. I worked for many years in the off-off Broadway theatre community in New York and so have known many actors both on and off stage. The good one's disappear into their parts and are far from the characters they play in real life.
I would also point out that you are using examples only from the old and DEAD generation. Modern day acting is a different business. For one thing its is much more demanding physically and so the excesses of the past are not tolerable. A drunk, even a drunk with an Oscar on his mantle wont survive long in today's film business
no subject
Date: 2007-05-14 03:11 pm (UTC)And the third reason- which I'm loathe to admit- is that I'm getting to be old and out of touch.
no subject
Date: 2007-05-14 03:38 pm (UTC)no subject
Date: 2007-05-14 04:06 pm (UTC)no subject
Date: 2007-05-14 02:04 pm (UTC)I think you hit on something significant here.
no subject
Date: 2007-05-14 03:20 pm (UTC)