poliphilo: (Default)
poliphilo ([personal profile] poliphilo) wrote2007-02-18 10:00 am

Erlkoenig

The Alder King

after Goethe's Erlkoenig

The road is long, the night is wild,
A man is riding with his child.
He holds him close to keep him warm
Against the battering of the storm.

"My dear, why are you shivering?"
"Oh father, look, the Alder King
In his spiky crown and floating  train!"
"There's nothing there but drifting rain."

"My darling come and live with me;
We''ll play such games beside the sea
In meadows full of deathless flowers -
The two of us- for hours and hours..."

"Didn't you hear  that speech of his
Such pretty words, such promises?"
"All I can hear is wind and weather-
The dead, old boughs as they crash together."

"My daughters wait on the dancing floor.
They say they need one dancer more.
They'll sing for you, they'll hold you tight
And sit beside you all the night."

"Father, look, in the shadows there-
The daughters how they stand and stare,
Their white hair falling to their knees."
"There's nothing there but the willow trees."

"Love, I've been gentle for your sake
But what I cannot woo I take."
"Oh father, do not let me go.
The Alder King is hurting so."

He holds his son against his breast.
He shivers. He has done his best.
The lights of home gleam just ahead.
He reaches them. The boy is dead.

[identity profile] thewayupward.livejournal.com 2007-02-18 12:56 pm (UTC)(link)
This is lovely - thank you for this.

[identity profile] poliphilo.livejournal.com 2007-02-18 01:39 pm (UTC)(link)
I'm so glad you like it.

[identity profile] lblanchard.livejournal.com 2007-02-18 02:13 pm (UTC)(link)
Well, that has certainly taken me back. I learned the Schubert Lied and accompaniment well enough to limp through for my own satisfaction when much younger. It's very demanding -- vocally, instrumentally, and emotionally. I have a recording somewhere here of the famous African American contralto Marian Anderson singing it -- it's absolutely spine-chilling.

Wikipedia has a wonderfullly comprehensive page about it, including a link to the audio:

http://en.wikipedia.org/wiki/Erlkonig

I didn't know about the Rammstein adaptation.

[identity profile] cataptromancer.livejournal.com 2007-02-18 05:19 pm (UTC)(link)
The wikipedia seems pretty indefinite on the source of the legend. I wonder if it's related to the legend of the grey king/ghost/demon Helequin (sourceword for Harlequin) who leads a host of ghostly riders/warriors.

[identity profile] poliphilo.livejournal.com 2007-02-18 10:01 pm (UTC)(link)
I should imagine so. Northern Europe is criss-crossed with wild hunts and demon riders.

[identity profile] lblanchard.livejournal.com 2007-02-18 10:35 pm (UTC)(link)
Dunno. I think the Wikipedia author was especially interested in the Schubert Lied aspect -- as Tony says farther downthread, there are a lot of demon kings and personifications of death rattling around Europe. The remarkable thing about the Schubert treatment is that it gives, as Wikipedia Author points out, the sense of the frantic race against death as the child becomes ever more fearful and hysterical.

[identity profile] poliphilo.livejournal.com 2007-02-18 10:00 pm (UTC)(link)
We were discussing the Schubert lied in Ailz's tutorial yesterday.

I logged onto Wikipedia before attempting my version- and used their translation as a crib.

Marian Anderson, eh?- I'll check it out.
ext_37604: (quirister)

[identity profile] glitzfrau.livejournal.com 2007-02-18 02:14 pm (UTC)(link)
I love that, and my students loved it too, a bit to my surprise - eighteenth century poetry can be a bit of a turn-off, but the Erlking just goes at such a lick, and is so incredibly dramatic. Have you heard the Lied version of it? The galloping rhythm is gone, but there's a wonderful spooky rumbling piano part in its place.

[identity profile] lblanchard.livejournal.com 2007-02-18 02:27 pm (UTC)(link)
You mean other than the Schubert?
ext_37604: (Default)

[identity profile] glitzfrau.livejournal.com 2007-02-18 02:33 pm (UTC)(link)
No, I do mean the Schubert!

[identity profile] lblanchard.livejournal.com 2007-02-18 02:39 pm (UTC)(link)
I think there's a remarkable galloping rhythm to the piano in the Schubert -- some killer octaves in the right hand while the left hand rumbles as you say. How my wrists would cramp when I tried to play it!
ext_37604: (Default)

[identity profile] glitzfrau.livejournal.com 2007-02-18 02:56 pm (UTC)(link)
Yes, I see what you mean - and I'm really impressed at your ability to play it! Perhaps what I mean is rather that the rhythm is transformed - the poem has an insistent, unavoidable gallop that speeds up (at least when I recite it) as the tension heightens, whereas the song, in the way of songs, builds up the rhythm, drops it again, re-introduces it in a different fashion.

Damn! Now I want to listen to a recording!

[identity profile] lblanchard.livejournal.com 2007-02-18 05:12 pm (UTC)(link)
I never played it to tempo and I never played it well. I haven't tried it in thirty-five years, either.

I am going to add you to my f-list so that you can access the recording I put up for that purpose. There's one linked from the Wikipedia article, too, but it's not as good. There's a lot more energy, drive, etc. in hers, even if the 1951 recording is a bit tinny.

[identity profile] sorenr.livejournal.com 2007-02-19 06:02 am (UTC)(link)
Damn! Now I want to listen to a recording!

My thought exactly! So now I'm sitting at 7am on a Monday morning, waking up to the "soothing (?) sound of the Lied! It always reminds me of sitting by the fireplace in Ye Olde Bobbin Mill in Hawkshead (Lake District). An oddly peaceful association to have to such a tense piece of music.

[identity profile] poliphilo.livejournal.com 2007-02-18 10:05 pm (UTC)(link)
Yes, we were discussing Schubert's version in Ailz's tutorial yesterday. That's what got me started.

The poem has a genuinely folky quality- not at all typical of the 18th century.

[identity profile] craftyailz.livejournal.com 2007-02-18 05:40 pm (UTC)(link)
It's certainly better than the translation we had at uni yesterday. Well done - perhaps we should send the tutor a copy
xx

[identity profile] baritonejeff.livejournal.com 2007-02-18 11:50 pm (UTC)(link)
Having performed the Schubert more times and in more venues and with more wonderful accompanists than I can remember, I very much enjoyed the aptness of your wording.

[identity profile] poliphilo.livejournal.com 2007-02-19 09:57 am (UTC)(link)
Thanks.

[identity profile] sorenr.livejournal.com 2007-02-19 05:50 am (UTC)(link)
I love the Erlkönig... Thanks for reminding me!

[identity profile] poliphilo.livejournal.com 2007-02-19 09:59 am (UTC)(link)
Goethe and Schubert- the Lennon and McCartney of the early 1800s!