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The Da Vinci Code is a Hitchcock chase movie in which the McGuffin takes the starring role.

I think I've understood why people love it so. This New Age conspiracy stuff is addictive. What a pity none of it is true.

But take away the excitement of the ideas, and its a dull ride.

There's no chemistry between Hanks and Tatou. Instead they conduct a seminar on the run.

Almost anyone would have been better in this role than Hanks. What a pity Cary Grant was unavailable.

The energy picks up when Ian McKellen is on screen and subsides when he leaves.

Date: 2006-11-16 03:02 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
I guess he and Ron Howard are good mates.

The ascendancy of Tom Hanks is a little hard to understand. Sometimes I think he's the modern James Stewart, but Stewart had much bigger range and could play edgy and obsessive as well as nice.

Date: 2006-11-16 04:12 pm (UTC)
From: [identity profile] senordildo.livejournal.com
When given an appropriately neurotic part, Stewart could be extremely scary, as in Vertigo. Or the final scene of The Naked Spur (which I cannot recommend enough if you haven't seen it).
Your bringing up Cary Grant and French things made me flash back to Charade, another lovely reminder of how great CG truly was.

Date: 2006-11-16 05:38 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
Stewart and Grant- arguably the two greatest actors in the history of Hollywood.

My favourites, anyway.

Yes, I had Charade in mind- plus North by Northwest and To Catch a Thief. Those films have a lightness of touch that the Da Vinci Code is entirely lacking.

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