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[personal profile] poliphilo
Kirk Douglas was one of the uber-males of the post-war period. Muscles, teeth, attitude. His particular schtick was that he wasn't altogether very nice. Mitchum was sublimely cool, Wayne was rock solid, but Douglas had something wolfish about him- which is a politer way of saying priapic. A good percentage of his standout roles were villainous. He had a vast amount of energy- and energy is morally neutral and can jump either way.

He wore less well than most of his peers. Wolfishness becomes creepiness as a man ages- and he became difficult to cast- too off-centre to convince as a patriarch. His era of supremacy lasted for about twenty years- between the end of the war and the mid-sixties. His dream role (he'd played it on stage) was McMurphy in One Flew Over the Cuckoo's Nest but by the time the money had been drummed up to put it on film the producer, who happened to be his son, had the parricidal job of telling him, "Dad, you're too old"- and the part went to the equally wolfish, less ruggedly masculine but crucially younger Jack Nicholson.

He was in some great movies. Spartacus is deeply flawed but imperishable, Paths of Glory is a masterpiece, Ace in the Hole is a masterpiece too. Lust for Life showed he was capable of stepping well outside his comfort zone. The one I haven't seen but am told I must is Lonely Are The Brave.

Date: 2020-02-11 11:37 am (UTC)
cmcmck: (Default)
From: [personal profile] cmcmck
It's 'Paths of Glory' which is the stand out role for me.

Date: 2020-02-11 09:12 pm (UTC)
sovay: (Claude Rains)
From: [personal profile] sovay
He was in some great movies.

He's great in his retrospectively against type debut in The Strange Love of Martha Ivers (1946); he's devastating in Detective Story (1951).

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