Austen Again
Sep. 6th, 2005 09:52 amAnother film version of Pride and Prejudice?
Actually there haven't been that many. If you set aside the adaptions that translate Austen's themes to other cultures- Clueless, Bride and Prejudice- the last full-blown big screen version (correct me if I'm wrong) was the 1940 production with Larry Olivier and Greer Garson (and a script- how very weird- by Aldous Huxley.)
Of course we're still in thrall to the BBC film with Colin Firth all dripping wet- but that was made for television.
And it's already ten years old.
No, it's all the other Austen novels that have been filmed for the big screen recently. Producers have been tip-toeing round P & P. It's the big one, it's the Eiger, it's the one you'll never be forgiven for getting wrong.
I like the idea of Sutherland and Blethyn as Mr and Mrs Bennett, but do Knightley and Macfadyen have what it takes to be the Elizabeth and Darcy of their generation? Well, we'll see.
It's odd how much we love Austen. She's one of those very rare authors who have never gone out of favour- either critical or popular- and her reputation has never stood higher than it does now.
And yet her society could hardly be more different from our own. It's as strange and fanatastical- in it's own buttoned-up way- as Middle Earth. But actually that answers the implied question. One reason we enjoy her is that she lets us escape into Another World.
But that's not it. No. The chief reason we return to her, generation after generation, is that she writes such great love stories. Pride and Prejudice is Romeo and Juliet- only for adults. Most love stories are quest stories. The loved object- male or female- is a grail, an all but unattainable object of desire. But Austen gives us both sides of the story- not one grail seeker, but two grail seekers groping towards each another though the mephitic glooms and smokes of the Wasteland. In most love stories one lover is analysed to death and the other is a dummy, but Elizabeth and Darcy are equally real.
Austen is our greatest psychologist of love.
Actually there haven't been that many. If you set aside the adaptions that translate Austen's themes to other cultures- Clueless, Bride and Prejudice- the last full-blown big screen version (correct me if I'm wrong) was the 1940 production with Larry Olivier and Greer Garson (and a script- how very weird- by Aldous Huxley.)
Of course we're still in thrall to the BBC film with Colin Firth all dripping wet- but that was made for television.
And it's already ten years old.
No, it's all the other Austen novels that have been filmed for the big screen recently. Producers have been tip-toeing round P & P. It's the big one, it's the Eiger, it's the one you'll never be forgiven for getting wrong.
I like the idea of Sutherland and Blethyn as Mr and Mrs Bennett, but do Knightley and Macfadyen have what it takes to be the Elizabeth and Darcy of their generation? Well, we'll see.
It's odd how much we love Austen. She's one of those very rare authors who have never gone out of favour- either critical or popular- and her reputation has never stood higher than it does now.
And yet her society could hardly be more different from our own. It's as strange and fanatastical- in it's own buttoned-up way- as Middle Earth. But actually that answers the implied question. One reason we enjoy her is that she lets us escape into Another World.
But that's not it. No. The chief reason we return to her, generation after generation, is that she writes such great love stories. Pride and Prejudice is Romeo and Juliet- only for adults. Most love stories are quest stories. The loved object- male or female- is a grail, an all but unattainable object of desire. But Austen gives us both sides of the story- not one grail seeker, but two grail seekers groping towards each another though the mephitic glooms and smokes of the Wasteland. In most love stories one lover is analysed to death and the other is a dummy, but Elizabeth and Darcy are equally real.
Austen is our greatest psychologist of love.
no subject
Date: 2005-09-06 05:21 am (UTC)I can't think of a part more perfect for Donald Sutherland. He's had his share of really awful movies...but I can picture him in this part.
AS for Kiera Knightley- She's too skinny for that part. I'm sure she's actress enough to PLAY the part, I like her very much. BUT Elizabeth....maybe it's in my mind's eye, but I always pictured Miss Bennett as being 'healthy' looking.
I dunno. I loved the TV version so much, I'm not sure if I'd go see it. And I even liked the Olivier/Garson version, because I though Ms. Garson was a class act.
but I think Colin Firth will always be the embodiment of Mr. D'Arcy.
no subject
Date: 2005-09-06 06:01 am (UTC)I'm afraid Kiera Knightley has too modern a face and film-starrish a face. Elizabeth Bennett, according to Austen, has fine eyes, but is much less of a conventional "beauty" than Jane.
no subject
Date: 2005-09-06 03:28 pm (UTC)My big peeve with both the previous TV version and this movie adaptation is that they wish to portray Elizabeth as a hopeless romantic. Both have inserted lines about her being determined to only marry for true love. In the books, Elizabeth is rather more practical than that, and while she does turn down one proposal, it is not because she could not 'love' her suitor, but because she could not respect him and they could not make each other happy, which is something quite different. Likewise, when she is attracted to someone else, she does listen to the advice that the match would be unwise from a prudent standpoint. When she finally is won over, it is not because she falls into a passion for the other person, but because she comes to respect him and see him as a good match for herself in temperment and disposition.
no subject
Date: 2005-09-07 03:25 am (UTC)