More Of The Same

[poliphilo]

Lets have some more Carline...

Here we have British planes attacking Turkish boats on the Sea of Galilee in 1919



And this one is called Destruction of an Austrian machine in the gorge of the Brenta Valley. Very pretty- and then one remembers that what is being memorialised is a man's death.  I love how the victim is placed dead centre- and how he's white- and the British places are circling him- like little brown birds mobbing a predator. I think that's an Albatross he's flying- most stylish aircraft of the war- while the British planes are Camels.



I don't suppose we'd call Carline a "great" painter. He was a talented professional who- like many war artists- got given an extraordinary opportunity- and rose to it magnificently.  He came from obscurity, did his bit, returned to obscurity again. Art-historical greatness isn't really the point.  All the same, these are great paintings.  No-one had painted war in the air before. It was a new subject. Carline was- in his own way- as much of a pioneer as any Cubist or Vorticist.

Comments

[cmcmck.livejournal.com]

The incident in the second one happened for real, but Carline put it somewhere more 'interesting'.

His obvious influence is Nevinson (who admired his work) and the futurists.

[poliphilo.livejournal.com]

I've been looking for examples of his "civilian" art- and mostly not finding it- but there's a painting of a very odd couple in Regent's Park which suggests he was much more of a modernist when "off-duty".

[lblanchard.livejournal.com]

You mean "Bank Holiday on Hampstead Heath"? I put a link to it in another comment. It is decidedly odd.

[poliphilo.livejournal.com]

Very strange. The woman looks entirely modern- you have to look twice to make out that she's not actually wearing blue jeans- and the man looks like an imam.