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[personal profile] poliphilo
The line of beauty- so named by William Hogarth, least rococo of rococo painters- is the double curve or ogee. Hogarth cared about it so much he wrote a book about it. Odd that it should be him. Look at his subject matter- rakes en route for Bedlam, cruel apprentices en route for Tyburn- and beauty seems to be almost the last thing he's after.

But that's just the surface. Look deeper, at the inner structure, the bones of the thing. His silly, hateful people fall into lovely patterns- as do Hollinghurst's.

Up and down- the switchback pattern of moods and epochs. Of the cocaine high.  Of economies.

We're watching the 1980s pass from inside the household of a Thatcherite MP, through the eyes of a Jamesian outsider and aesthete- or parasite if you prefer. If you know your history you sort of know what's coming.

The upward curve, the downward curve.

So pretty, so graceful, so right.

Date: 2014-04-16 12:46 pm (UTC)
From: [identity profile] veronica-milvus.livejournal.com
Coincidentally, I bought that book this week and have just started it.

Date: 2014-04-16 04:06 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
Hollinghurst is damn good.

Date: 2014-04-16 06:39 pm (UTC)
From: [identity profile] rosamicula.livejournal.com
I loved The Line of Beauty (poss more so as I am of an age with the protagonist and has some slightly similar experiences), but was really disappointed with The Stranger's Child. Have you read that?

Date: 2014-04-16 08:56 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
I read The Stranger's Child last year. I wonder why you weren't impressed. I've got to say I like them equally.

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