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Here's a painting from Rembrandt's circle. It has been attributed to the great man himself (most unlikely- that's not how he lit a scene) and- more plausibly- to Carel Fabritius. Currently it seems to be securely anon. That it was produced in Rembrandt's workshop is almost certain. The executioner looks a lot like Rembrandt himself (that huge nose!)- and if not him could be some other member of the family. The model for Salome is (I think) Rembrandt's wife, Saskia.

So it's not a proper Rembrandt but it's good enough to be one. Psychologically charged. Consider the look that Salome is exchanging with the inscrutably bluff executioner. Conclusion: Rembrandt was a damn fine teacher.

Date: 2013-04-14 02:33 pm (UTC)
From: [identity profile] poliphilo.livejournal.com
He's your average, stoical working man. There's no accounting for what the toffs are going to ask for next, but he's getting paid for it so why worry? He seems to be saying, "Here you are, ma'am. So what do you want me to do with it now?"

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