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Here's a painting from Rembrandt's circle. It has been attributed to the great man himself (most unlikely- that's not how he lit a scene) and- more plausibly- to Carel Fabritius. Currently it seems to be securely anon. That it was produced in Rembrandt's workshop is almost certain. The executioner looks a lot like Rembrandt himself (that huge nose!)- and if not him could be some other member of the family. The model for Salome is (I think) Rembrandt's wife, Saskia.

So it's not a proper Rembrandt but it's good enough to be one. Psychologically charged. Consider the look that Salome is exchanging with the inscrutably bluff executioner. Conclusion: Rembrandt was a damn fine teacher.

Date: 2013-04-14 11:31 am (UTC)
From: [identity profile] poliphilo.livejournal.com
And what about the strange, sketchy, zombie face on the other side of the executioner?
Edited Date: 2013-04-14 11:32 am (UTC)

Date: 2013-04-14 11:44 am (UTC)
From: [identity profile] jfs.livejournal.com
It's the new mash up classic - Salome With The Head Of John The Baptist And Zombies.

Date: 2013-04-14 01:06 pm (UTC)

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