Polanski
I never liked Polanski's work. I saw his early films as they came out- Knife in the Water, Repulsion, Cul-de-Sac. There was something about them that made me feel queasy- migrainey, sick to the stomach. It was weird. Art doesn't usually hit me that way. It was as if they beamed out negativity.
The last thing of his I saw in sequence was The Fearless Vampire Slayers- the one with Sharon Tate in the bubble-bath. It's Polanski's idea of a romp- self-indulgent, unfunny, really rather tiresome. After that I avoided him.
More recently- because they came my way- I've watched Rosemary's Baby and Macbeth. They didn't make me feel ill- maybe because my powers of resistance are stronger- maybe because Hollywood didn't give him the absolute control he'd had in Europe. I liked Macbeth more than I thought I would, though artistically it's a bit of a mess. Rosemary's Baby was undone for me by the absurdity of its ending. They're schlocky films, both of them, a little silly and immature. It would be nice to think Francesca Annis' nude scene had nothing to do with Hugh Hefner being sat in the producer's chair.
I haven't seen Chinatown. I don't suppose one should come to a final judgement without seeing Chinatown.
The last thing of his I saw in sequence was The Fearless Vampire Slayers- the one with Sharon Tate in the bubble-bath. It's Polanski's idea of a romp- self-indulgent, unfunny, really rather tiresome. After that I avoided him.
More recently- because they came my way- I've watched Rosemary's Baby and Macbeth. They didn't make me feel ill- maybe because my powers of resistance are stronger- maybe because Hollywood didn't give him the absolute control he'd had in Europe. I liked Macbeth more than I thought I would, though artistically it's a bit of a mess. Rosemary's Baby was undone for me by the absurdity of its ending. They're schlocky films, both of them, a little silly and immature. It would be nice to think Francesca Annis' nude scene had nothing to do with Hugh Hefner being sat in the producer's chair.
I haven't seen Chinatown. I don't suppose one should come to a final judgement without seeing Chinatown.

no subject
no subject
I don't believe- on the basis of what I've seen- that Polanski is a great film maker.
no subject
no subject
no subject
Bitter Moon is just sick and twisted, which suits me :) was that Mrs Polanski playing the main female role?
no subject
I've just read an account of the plot of Bitter Moon. I don't think I'll be rushing out to see it.
chinatown
go ahead make your final judgement!
instead perhaps see the b movie
'big trouble in little china' speaking
of chinatowns it is far more fun
Re: chinatown
no subject
interest in the mystical I was happy
to learn from it all I know about
chinese mysticism!
no subject
I'd love to be able to fly.
no subject
/cynical
no subject
uitility of flying ability
can exit a brothel through
the roof if there is a police
raid I imagine.
(as the three storms did)
you need like them to have rather
a hard hat for crashing through
the plaster.
no subject
no subject
no subject
no subject
I haven't seen everything on your list, but the ones I have are all great films. It seems to me you have excellent taste.
no subject
Thanks, Tony!
no subject
I also like Fearless Vampire Killers and Rosemary's Baby, because they feel a bit like the Hammer horror films I like so much. They're campy, of course, but that's the way I like them.
I don't know that your opinion could necessarily be changed by any of these, but if the films you've listed are the only ones you've seen, you've neglected his work after 1971--which may not be fair.
no subject
Polanski's early stuff inoculated me against him. I'm not saying he's a bad director, only that there's something about his work I find rebarbative. Repulsion, in particular, is a powerful piece of work- nauseating but powerful. It's not a film I'm ever going to forget.