John Davidson

[poliphilo]

Talking about clerks sent me back to John Davidson's Thirty Bob a Week.  Davidson was a minor poet, but Thirty Bob a Week is a great poem. It came out the year after Kipling's Barrack Room Ballads. Was Davidson following Kipling or did it come to each of them as a separate inspiration that he should speak up for the underclass?  

We had a poetry book at school called Thirty Great British Poets (or something of the sort). It contained sizeable extracts from the chosen thirty- arranged in order of birth-date- the first of them being Blake and the last (I think) George Barker. The selection was wildly eccentric and I've been arguing with it in my head ever since. Is Barker a great poet? Is Edwin Muir? And why don't Kipling and Morris and Swinburne make the cut? Actually, isn't that one of the joys of any anthology- that it makes you want to argue? One of the "greats" was Davidson and if it hadn't been for the anthology I'd probably never have encountered him, so- unremembered editor- you have my undying gratitude. 

I can't pretend I've read much of Davidson. Most of the time he wasn't particularly good. He belongs to that transitional generation that was trying, trying, trying so very hard to be modern. Hardy broke through, Kipling broke through, Yeats broke through, but Davidson remained mired down in Victoriana. Thirty Bob a Week is the the only thing of its kind he ever wrote. Otherwise A Ballad of Hell is stirring and A Runnable Stag (which seems to anticipate Davidson's own suicide by drowning) is a uniquely weird, late-romantic masterpiece. 

Comments

[algabal.livejournal.com]

I think Davidson was a visionary in his own way, and I have grown to connect with him. One of his biographers called him "the poet of armageddon". His 'testaments', especially, are quite powerful.

I have his collected poems, and there is much more of quality to be found besides "Thirty Bob" (try "the Crystal Palace").

P.S.: Mind if I add you?

[poliphilo.livejournal.com]

I must explore further.

I lived for a year in Sydenham once, in the shadow of the ghost of the Crystal Palace.

I'm delighted to make your aquaintance. I'll be adding you back.

[oakmouse]

*g* You're right about anthologies. Recordings of the author reading his/her own work do the same for me. When we visited England and Wales a few years back, I scored a multi-disc set of R. S. Thomas reading his own works. I love it, but whenever I look at the list of poems I cavil and grumble at the selection. Why this one? Why not that one? He left off several of my favorites, included others I would have omitted.

Ah well. It's still worth having!

[poliphilo.livejournal.com]

It's good to enter into an argument with an author. It's another way of appreciating their work. The poet who gets me really mad is W.H. Auden. How could he drop "Spain" and "September 1, 1939" from his canon?

[sovay]

Talking about clerks sent me back to John Davidson's Thirty Bob a Week.

Was this ever set to music, or do I just think it should have been?

"A Ballad of Hell" is awesome.

[poliphilo.livejournal.com]

I've never read that it was set to music.

A Ballad of Hell sends shivers down my spine.