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[personal profile] poliphilo
Hardy the novelist is a writer of much greater scope and subtlety that Hardy the poet- who- grand as he is- can be really rather monotonous in his grumpiness. You wouldn't know- simply from the poems- that Hardy was capable of a Keatsian sensuousness (as in the the evocation of the summer of love at Talbothay's Farm)- or that his ideas on religion branched out beyond a sardonic baiting of commonplace Christianity into- on the one hand- an empathy with rustic paganism and- on the other- a grasping after the transcendent (as in Tess's OBEs and flashes of cosmic consciousness)- or, again, that he was mightily- and angrily- concerned with the politics of the English class system.

Prose, of course, can be diffuse where poetry is obliged to concentrate - but perhaps the difference also has something to do with the Hardy of the novels being a young man and the Hardy of the great poems an old man rather set in his opinions.

Date: 2014-07-17 03:48 pm (UTC)
From: [identity profile] cmcmck.livejournal.com
I still prefer his poetry- it's the curmudgeonly aspect of some of them that I think appeals.

Date: 2014-07-18 04:15 pm (UTC)
From: [identity profile] kinderheldin.livejournal.com
I love his works -- novels and poems. A prof I had once cried after reading Hardy's poem about a blinded bird.

The same prof said Hardy had wanted to be known foremost as a poet, but turned to novel writing after not gaining ground as a poet. (Maybe I'm remembering wrongly.)

Jude the Obscure is one of my all-time favorites. I see what you say about the comical element in his world-view, yet the silliness turns on a dime to gravitas, like Jude returning to Arabella for one final romp. Sad and true and strange.

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