The Duchess At The Wanamaker
I was watching a recording of The Duchess of Malfi from the Globe's new indoor theatre last night. I only got to just over the half way mark because the computer kept stopping and starting (blame the internet connection) and then it was bedtime, but I saw enough to be able to imagine the rest. Candlelight is the loveliest of artificial lights. How Shakespeare must have loved it- towards the end of his career- when he got to work in a theatre with a roof- and things became possible that had never been possible before. Webster has a scene where the lights go down completely and something horrific happens in the dark. That must have been electrifying first time round.
I was taught The Duchess at 6th form level by an English teacher who loved it- and passed his love on. When we read it in class I played Ferdinand to his Bosola. Webster is our greatest dramatic poet after Shakespeare and there are scenes in the Duchess where he's operating at the older man's level.
Strangling is a very quiet death.
I was taught The Duchess at 6th form level by an English teacher who loved it- and passed his love on. When we read it in class I played Ferdinand to his Bosola. Webster is our greatest dramatic poet after Shakespeare and there are scenes in the Duchess where he's operating at the older man's level.
Strangling is a very quiet death.
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Nine
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When I think of all the great performances of the past that are lost forever....
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Filming of live theater is pretty wonderful. We saw Richard II, starring David Tennant, in a cinema; it took our breath away.
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I want to see Tennant's Richard II. His Hamlet was brilliant.
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Tennant knocked it out of the park. (Or, to translate that to British, "knocked it for a six.")
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I hadn't been aware they were reconstructing an indoor theatre there! Most cool. (Reminds me, I ought to try getting along to one of the Open Air Theatre shows this year)
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or Olivier's Coriolanus or Gielgud's Hamlet- the list is endless.
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It struck me as a object lesson in how not to do it.
Olivier made three very good Shakespeare films- and then seems to have lost the knack.
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I read that as part of his homework he went and watched Sammy Davis perform night after night.
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I thought his Shylock was okay and his late-life Lear, when he was too frail to carry Cordelia (who had to be harnessed) was incredibly poignant.