Jacob Vrel: Woman At A Window

This has to be one of the strangest, most haunting images in Dutch art. It was the revelation of the Fitzwilliam's 2011-12 exhibition Vermeer's Women. Who or what is the child at the window? Dutch genre pictures generally explain themselves through symbol- a lap dog means fidelity- a cast shoe means abandoned virtue- but there's none of that here....
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The crumpled twisted scrap, I've read, is paper, with a signature.
Nine
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Thank you - I'd never come across that before. It's wonderful. And very unsettling...
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The saddest are these: "It might have been!"
Instantly my brain started spinning a story of a girl on the cusp of womanhood who loved a boy on the cusp of manhood. Love blooms. Her father disapproves and forbids. A note from the boy urges her to meet him at the end of the lane--he has a plan. They can sail off to the colonies. They will marry and make their own way in the world.
For whatever reason, fear or obedience or uncertainty, she doesn't go. But she carries the note declaring his eternal love in her pocket all these long years. Now she is an old maid, still living in her father's house, though now her oldest brother is the master for such is the way things operated in those days. Perhaps she read the obituary of her former love in the local paper. That's why his long-ago love letter now lays crumpled on the floor.
As she stares out at the dark night, the specter of the child they might have had appears at the window. She could have had so many things--love, a home, children, joy, laughter. Instead she has a solitary chair in a begrudged garrett and a cold, lonely, empty existence.
Or, it might have been gas or a bit of underdone potato.
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This is the beauty of the painting. It's full of potential stories and no-one knows which one the painter had in mind. Perhaps all of them flitted through his consciousness.