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The Brothers Grimm
Werewolves are fun, but they're not frightening. Is anyone out there frightened of werewolves? I mean, really frightened?
Didn't they shoot the last "real" werewolf in sixteen hundred and something? In rural France?
So if you're not living in rural France and the date isn't sixteen hundred and something, why should you be scared?
I know, I know, it's an archetype. The Beast within. Yaddayaddayadda.
So I just watched the Brothers Grimm. It has a werewolf in it. And I've been asking myself ever since, "now what was the point of that?"
Why make gothic movies when the gothic isn't scary any more?
The Japanese have a handle on what's really scary these days. What's really scary these days in girls with hair all over their faces climbing out of TV sets. But werewolves? Nah.
The only way to handle the gothic these days is to make it funny. The model is Ghostbusters. Don't you just love Ghostbusters?
I think The Brothers Grimm was trying to be funny. Leastways Heath Ledger fell over a lot.
But a script would have been nice.
And I could have done without the services of Matt Damon. (I had a revelation yesterday; I realised who Matt Damon reminds me of. He's an absolute dead ringer for Doug McClure who used to be in Bonanza or High Chaparal or something- only Doug McClure had more charisma.)
But, all in all, I think the comedy gothic horror has had its day. We want to be really frightened, not pretend-frightened.
Irony will only stretch so far.
Before it snaps *ping* like knicker elastic.
Didn't they shoot the last "real" werewolf in sixteen hundred and something? In rural France?
So if you're not living in rural France and the date isn't sixteen hundred and something, why should you be scared?
I know, I know, it's an archetype. The Beast within. Yaddayaddayadda.
So I just watched the Brothers Grimm. It has a werewolf in it. And I've been asking myself ever since, "now what was the point of that?"
Why make gothic movies when the gothic isn't scary any more?
The Japanese have a handle on what's really scary these days. What's really scary these days in girls with hair all over their faces climbing out of TV sets. But werewolves? Nah.
The only way to handle the gothic these days is to make it funny. The model is Ghostbusters. Don't you just love Ghostbusters?
I think The Brothers Grimm was trying to be funny. Leastways Heath Ledger fell over a lot.
But a script would have been nice.
And I could have done without the services of Matt Damon. (I had a revelation yesterday; I realised who Matt Damon reminds me of. He's an absolute dead ringer for Doug McClure who used to be in Bonanza or High Chaparal or something- only Doug McClure had more charisma.)
But, all in all, I think the comedy gothic horror has had its day. We want to be really frightened, not pretend-frightened.
Irony will only stretch so far.
Before it snaps *ping* like knicker elastic.
no subject
Even though the movie was partly comedy, the tension mounting as the victim felt the changes beginning in his body was handled so well by the director--at a slow pace--that the result was wonderfully creepy!
In fact, my son and I were watching it on TV, and when the man's face began to stretch into a wolf-face, we were both so creeped out that we turned off the TV to recover, then agreed we were ready again, and flipped it back on!
Vampires, now: they terrify me. Scariest book I ever read was Dracula. oooh.
no subject
I know Yorkshire, see.
And it's, erm, not like that at all...
I'm afraid I'm not scared of vampires either. Only thing that scares me is ghosts because ghosts are real.
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no subject
But I think they're been rather overdone recently.
And the silent Nosferatu is one of the most compellingly strange, dreamlike movies ever.
Yes, I liked The Blair Witch Project too. Every so often a film comes along that revives and rejuvenates the genre.